Two lynx siblings and a small smart speaker sit on a tiled roof terrace at sunset, looking over a Mediterranean harbour and a striped lighthouse.
A weathered wooden bench on a marina boardwalk in a small Florida town in 2038, with solar-sail boats, a delivery drone and a white autonomous shuttle.

Original animated series for children and grown-ups, directed by people and made with AI, in the open.

Little Lynx Studios

Cala Luna Animated comedy for ages 5 to 9

We make animated series about the questions people are asking right now: what is AI good for, what is work for, and who decides what matters when machines can do almost everything.

A person directs every story.

What a story is about, what it teaches and when it is finished are decisions we never leave to a machine.

AI is credited, not hidden.

Scripts, images, voices and animation are made with AI tools. We label every episode and explain how it was made, below.

Made to teach something true.

Cala Luna teaches children to ask, then check. Tomorrow, Probably asks what we do with our time when work is no longer the point.

A lynx girl in a striped top packs her school bag at a wooden kitchen table while her little brother in a yellow sun hat eats toast; a smart speaker glows on a shelf. For ages 5 to 9
Cala Luna

Mila and Teo are two lynx siblings in a Mediterranean seaside town. When the family's smart speaker, Chispa, gets something wrong, they learn the most useful habit of all: ask, then check.

Seven-minute episodes for children and the grown-ups watching with them, about AI and screens, money, feelings, the planet and how things work.

Episode 1, Ask and Check, is in production. Spanish, Portuguese, German and French versions are planned.

A youth soccer field in coastal Florida completely flooded, with white goals standing in still water, a floating ball and a pelican wading. Port Marigold, Florida, 2038
Tomorrow, Probably

It is 2038 in a small town on Florida's Gulf coast where most jobs have gone. A documentary crew follows the residents, and the town's AI, which is never evil, only very literal.

A mockumentary comedy for adults, with six-to-eight-minute episodes about AI mistakes, losing and finding purpose, art and sport after work, and who gets to decide.

The pilot, CIVIC Was Wrong, is in pre-production. Short “Your job in 2038” videos will follow.

Frames from both worlds

Design sheet of Chispa, a round, smiling smart speaker with a glowing blue ring.
Cala Luna. Chispa, the family's smart speaker, who sometimes gets things wrong.
An old boathouse used as a painter's studio, with canvases of seascapes and the door open to a calm bay and mangroves.
Tomorrow, Probably. June's boathouse studio.
A pale Gulf beach at dawn with a surfboard stuck in the sand, a wooden pier, pastel stilt houses and solar-sail boats.
Tomorrow, Probably. The beach where Dani gives surf lessons.
A worn community hall with plastic chairs facing a large screen showing a glowing amber circle.
Tomorrow, Probably. The town meeting, with CIVIC on the screen.
A small office in a former insurance branch with three thin glass screens, a wall of sticky notes and a potted palm.
Tomorrow, Probably. Priya's office.
A warm bungalow kitchen with soccer trophies, a framed photo of a semi-truck and a fridge covered in children's drawings.
Tomorrow, Probably. Rafa's kitchen.

How a Little Lynx series is made

We use AI for much of the work, and we say so. This is what happens, in order.

  1. 1

    A person picks the question

    Every series starts with something people really ask: can I trust what an AI tells me, and what is work for when machines can do it?

  2. 2

    The script is drafted and edited

    We draft with AI writing tools. A person reads every line, cuts, rewrites and approves it before anything is made.

  3. 3

    Characters and places are locked

    Each character and location is designed once and saved as a reference, so they look the same in every shot of every episode.

  4. 4

    AI animates and voices the shots

    AI tools turn the locked designs into moving pictures and synthetic voices, shot by shot.

  5. 5

    A person reviews every frame

    We watch each episode closely and send back every mistake, from a wrong number of octopus arms to a glitchy walk, until it is right.

  6. 6

    We label it and release it

    Every episode is labelled as AI-assisted. Then we add versions in more languages.

Our voices are synthetic. Scripts, images and animation are made with AI tools under human direction.

Let's make something together.

We are open to co-productions, broadcast and streaming licences, versions in minority languages, grants and press questions.

hello@littlelynxstudios.com

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